She promised, somewhat shortly, to consider the matter, whenever the Duke, or other class of nobleman, should propose to her. At present no sign of him had appeared above the horizon. Her own idea was that, if she lived long enough, she would become a spinster. Unless someone took pity on her when she was old and decrepit and past her work. “Rather late in the day for you to worry yourself about that, isn’t it?” he answered with a smile.!

The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “I guess I’m spoiling yours, too,” he answered. “I’m not worth it. I might have done something to win you and keep you. I’m not going to do much without you.”

“I should let him,” advised Madge. She grew thoughtful again. “We cranky young women, with our new-fangled, independent ways, I guess we hurt the old folks quite enough as it is.” Joan did not meet Hilda again till the child had grown into a woman—practically speaking. She had always been years older than her age. It was at a reception given in the Foreign Office. Joan’s dress had been trodden on and torn. She had struggled out of the crowd into an empty room, and was examining the damage somewhat ruefully, when she heard a voice behind her, proffering help. It was a hard, cold voice, that yet sounded familiar, and she turned. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.